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Tatsam Mukherjee

Tatsam Mukherjee

Author Archives
‘The Archies’: Zoya Akhtar Plays It Very Safe in This Frothy Adaptation of the American Comics
Film
‘The Archies’: Zoya Akhtar Plays It Very Safe in This Frothy Adaptation of the American Comics
by Tatsam Mukherjee
Animal: Sandeep Reddy Vanga’s Crude and Beastly Assault on Sense and Sensibility
Film
Animal: Sandeep Reddy Vanga’s Crude and Beastly Assault on Sense and Sensibility
by Tatsam Mukherjee
‘Sam Bahadur’: Yet Another Biopic That Is in Awe of Its Protagonist
Film
‘Sam Bahadur’: Yet Another Biopic That Is in Awe of Its Protagonist
by Tatsam Mukherjee
'Napoleon' Shows an Emperor With Ambition Who Craved Love and Respect
Film
'Napoleon' Shows an Emperor With Ambition Who Craved Love and Respect
by Tatsam Mukherjee
‘The Indian News Business is Sinking Like the Titanic Right in Front of Our Eyes’
Film
‘The Indian News Business is Sinking Like the Titanic Right in Front of Our Eyes’
by Tatsam Mukherjee
'Tiger 3': The Swagger is There, But a Jaded Salman Khan Has Little Else to Show
Film
'Tiger 3': The Swagger is There, But a Jaded Salman Khan Has Little Else to Show
by Tatsam Mukherjee
The Killer: The Clinical Assassin in a Film Made by a Clinical Director David Fincher
Film
The Killer: The Clinical Assassin in a Film Made by a Clinical Director David Fincher
by Tatsam Mukherjee
Malayalam Film 'Aattam' Shows How the Truth Can be Messy and Complicated
Film
Malayalam Film 'Aattam' Shows How the Truth Can be Messy and Complicated
by Tatsam Mukherjee
'Sthal' Underlines the Humiliating, Transactional Nature of Arranged Marriages in a Patriarchal System
Film
'Sthal' Underlines the Humiliating, Transactional Nature of Arranged Marriages in a Patriarchal System
by Tatsam Mukherjee
Vidhu Vinod Chopra’s '12th Fail' Floors You with its Kindness and Sincerity
Film
Vidhu Vinod Chopra’s '12th Fail' Floors You with its Kindness and Sincerity
by Tatsam Mukherjee
‘Killers of the Flower Moon’ Is a Testament to One of the Greatest Living Filmmakers
Film
‘Killers of the Flower Moon’ Is a Testament to One of the Greatest Living Filmmakers
by Tatsam Mukherjee
‘Kaala Paani’ Is a Well Mounted Thriller That Doesn’t Trust Itself Enough To Forgo the Melodrama
Film
‘Kaala Paani’ Is a Well Mounted Thriller That Doesn’t Trust Itself Enough To Forgo the Melodrama
by Tatsam Mukherjee
'Dumb Money': A Black Swan Event When the Small Investor Gets Together to Take on Wall Street
Film
'Dumb Money': A Black Swan Event When the Small Investor Gets Together to Take on Wall Street
by Tatsam Mukherjee
‘Mumbai Diaries S02’ Looks Like a Weighty Hospital Drama But is a Soap Opera at Heart
Film
‘Mumbai Diaries S02’ Looks Like a Weighty Hospital Drama But is a Soap Opera at Heart
by Tatsam Mukherjee
'Khufiya' Misses Many of Vishal Bharadwaj’s Touches and Is Much Too Literal
Film
'Khufiya' Misses Many of Vishal Bharadwaj’s Touches and Is Much Too Literal
by Tatsam Mukherjee
'The Great Indian Family' is a Satire on the Bigots All Around Us, But Lets Them Off Lightly
Film
'The Great Indian Family' is a Satire on the Bigots All Around Us, But Lets Them Off Lightly
by Tatsam Mukherjee
In 'Jaane Jaan', Director Sujoy Ghosh Tries Too Hard to Impress His Audience But Fails to Engage
Film
In 'Jaane Jaan', Director Sujoy Ghosh Tries Too Hard to Impress His Audience But Fails to Engage
by Tatsam Mukherjee
With 'A Haunting in Venice', the Director Goes in More for Mood and Atmosphere Rather Than Glamour
Film
With 'A Haunting in Venice', the Director Goes in More for Mood and Atmosphere Rather Than Glamour
by Tatsam Mukherjee
With Jawan Shah Rukh Khan Crosses Over to the South, His Natural Charm Fully Intact
Film
With Jawan Shah Rukh Khan Crosses Over to the South, His Natural Charm Fully Intact
by Tatsam Mukherjee
'Scam 2003 - The Telgi Story' Is Obsessed With The What and How, Rather Than the Why
Film
'Scam 2003 - The Telgi Story' Is Obsessed With The What and How, Rather Than the Why
by Tatsam Mukherjee
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