The film seethes with anger about gender disparity, but it makes its points without sacrificing the film’s plot or resorting to preachy overlong platitudes.
The Wire spoke to Amit Masurkar, Swara Bhaskar and Neeraj Ghaywan about their reactions on the Bhansali assault, how it affected them and the perils of self-censorship.
From Aligarh to Udta Punjab, Hindi cinema this past year has explored unusual themes of homosexuality, drug abuse and patriarchy that not too long ago were unthinkable in mainstream cinema.
Respected Mr. Pahlaj Nihalani, Your post, as Chairperson of the Central Board of Film Certification is one of such prestige and responsibility, with powers to regulate and certify cine and television content that an entire nation will watch, a position that can make a significant impact to the […]
It has some well observed touches, but ends up with the same flaws that undo many indie films
Times Now has accused The Wire of running a “factually inaccurate” story about the showing of a doctored video on the channel. The charge is laughable.