A statement from his publisher said that Pirsig’s wife Wendy had confirmed his death at his home in Maine “after a period of failing health.”
The power of Ajith Pillai’s Junkland Journeys lies in the deeply observed life, illuminating an unexceptional man going through amusing times.
In conversation with Anirudh Krishna, whose research has focused on poor communities and individuals in developing countries.
Ranendra’s ‘Lords of the Global Village’ tries to account for the Asur tribes and their culture, which has been subsumed under the apathy of a “self-proclaimed and tolerant Indian culture”.
Martha Nussbaum’s Anger and Forgiveness: Resentment, Generosity, Justice is an invitation to explore alternatives to the darker, retributive emotions that guide many of our responses to wrongdoing.
Basharat Peer’s A Question of Order: India, Turkey and the Return of Strongmen shows how the air of contemporary politics across the world, is filled with xenophobia and a fear of the democratically-elected autocrats.
The 2017 edition of Ayesha Siddiqa’s ‘Military Inc.: Inside Pakistan’s Military Economy’ discusses how military capital being used for personal benefits is now a permanent feature in Pakistan.
The collected writings of archivist P.K. Nair reveal his passion for cinematic history.
Mahabaleshwar Sail’s ‘Age of Frenzy’ reminds us that it will never be easy to speak of past violence and it does not help that there was much violence by all parties.
Medical technologies don’t evolve in a vacuum. They are driven not only by trends in scientific research but also by business interests and the regulatory environment.
Hirsh Sawhney, the author of ‘South Haven’ on the relationship between literary fiction and politics and the connection between trauma and ideology.
Today, it is hard to see India standing up for any values at all. The reasons, as Menon wrote so perceptively in his essay on Sri Lanka, have to do with “internal politics”.
Prakash Kashwan’s Democracy in the Woods: Environmental Conservation and Social Justice in India, Tanzania, and Mexico shows, choosing between land rights of the peasants and forest dwellers and environmental sustainability is a false choice.
In any man who dies there dies with him, his first snow and kiss and fight, it goes with him…. Not people die but worlds die in them. ~ Yevgeny Yevtushenko, ‘People’ In A Precocious Autobiography, the Russian poet Yevgeny Yevtushenko, who passed away on April 1, recounted […]
In ‘When Crime Pays’, Milan Vaishnav explores the factors that influence voter demand for candidates with criminal reputations, showing that voters prefer them not despite their dubious record but because of it.
Poetry that listens to history can contribute to the recovery of the past, of the many pasts that make up the fragmented memory of this nation.
If religious belief is not malleable to reason, then there can be no rational discussion between, or about, religious stories, because you cannot communicate unless you become the other.
Hugo Gorringe’s extensive fieldwork is the backbone of this well researched book, which is deeply empathetic and yet astutely observed.
Vappala Balachandran speaks to The Wire about his book ‘A Life in Shadow: The Secret Story of ACN Nambiar’.
Scientific crime scene analysis is more popular in India’s pulp fiction than in real life investigations.
The Tamil writer will be remembered for his views on communalism, the battle of the sexes and the Emergency, but also his silence on caste.
The Marathi classic novel, available in English for the first time, delves into the futility of literary idealism and the failure of counterculture.
In The Poison of Love, K.R. Meera seems to symmetrise political, religious and domestic violence as equally inscriptive on the body of the woman.
In ‘Commonwealth’, Ann Patchett writes a painful story in a manner full of wit and empathy.
In tyrannical times, poetry needs to speak less, tell more.
Teresa Rehman’s book documents 12 narratives of Manipuri women activists who so radically sited their bodies for struggle and pushed the envelope to give a whole new meaning to the word “mother” in patriarchal structures.
“The most severe kind of colonisation is the substitution of forest-time by this imported industrial idea of time.”
An extract from ‘Demonetisation Decoded’ by Jayati Ghosh, C.P. Chandrasekhar and Prabhat Patnaik, talking about what explains the government’s decision and popular support for it.
Extracts from C. Rammanohar Reddy’s Demonetisation and Black Money that explore whether the note ban had any impact on the rich, how Digital India entered the narrative and the impact of the move on the poor.
In addition to being under-researched, Selina Sen’s Zoon plays into the stereotypical portrayal of Kashmir where Kashmiris are never the key players.
‘Navigating the Labyrinth: Perspectives on India’s Higher Education’ sheds light on the complex issues surrounding higher education in India and suggests possible solutions to some of them.
Extracts from Ayesha Siddiqa’s Military Inc.: Inside Pakistan’s Military Economy.
Deepak Unnikrishnan’s Temporary People reveals the psychic landscapes of people who have spent decades building the physical landscape of the Gulf.
‘Mohanaswamy’ is not only among the best example of gay and regional literature but also one of the best meditations on the pleasures of inhabiting the new Indian century.
If the sadness of Ali Cobby Eckermann’s prose grabs you by the throat and chokes you and leaves you gasping for air, it is her poetry that tells you to remember to breathe.
In ‘Aurangzeb: The Man and the Myth’, Audrey Truschke sifts popular imagination on the ruler’s personal and political life from historical realities.
In Attendant Lords, T.C.A. Raghavan chronicles the life of Abdur Rahim and Bairam Khan – two noblemen during a turbulent period in the Mughal history.
In ‘Mission Overseas’, Sushant Singh provides a rare window into the organisational challenges of mid-sized military operations, and reveals the tortuous political and diplomatic constraints of UN missions.
In ‘The Golden Legend’, Nadeem Aslam establishes a pattern of chaos followed by stillness, tragedy that leaves an exquisite sorrow and kindness in its wake.
Witness/Kashmir 1986-2016, which features nine Kashmiri photographers from different eras, is about the personal as well as the collective memory of a people and their relation to their homeland.